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International Contemporary Ensemble

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  • About
    • About
    • Commitment to Equity
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    • Press
    • News & Updates
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    • Call For ____ 2024
    • Ensemble Evolution 2024
    • PROGRAMS
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    • Afro-Diasporic Opera Forum
  • Events
    • Upcoming Events
    • Past Events
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    • Donate
    • Support our new HQ in Downtown Brooklyn
    • Supporters
    • Legacy Giving
    • 20th Anniversary
    • In Memory of Ryan Muncy
  • Contact

International contemporary
News & updates


archive

Featured
Mar 12, 2025
An Update from ICE
Mar 12, 2025
Mar 12, 2025
Nov 19, 2024
On the Power of Cultural Exchanges
Nov 19, 2024
Nov 19, 2024
Oct 22, 2024
Announcing the new members of the International Contemporary Ensemble!
Oct 22, 2024
Oct 22, 2024
Aug 19, 2024
Announcing our 2024-25 Season!
Aug 19, 2024
Aug 19, 2024
Aug 5, 2024
Announcing our Call For ____ Composers!
Aug 5, 2024
Aug 5, 2024
Feb 13, 2024
The New York Times: International Contemporary Ensemble at Carnegie Hall
Feb 13, 2024
Feb 13, 2024
Feb 5, 2024
Shout out in The New Yorker!
Feb 5, 2024
Feb 5, 2024
Jan 16, 2024
WQXR Feature!
Jan 16, 2024
Jan 16, 2024
Jan 12, 2024
Congratulations to George Lewis on this feature!
Jan 12, 2024
Jan 12, 2024
Dec 4, 2023
Afterword in the New York Times!
Dec 4, 2023
Dec 4, 2023

Album art by Kate Gentile

Review: Kate Gentile + International Contemporary Ensemble – ‘b i o m e i.i’ (2023)

May 22, 2023

Excerpt from Something Else! Review:

“Drummer, composer, bandleader and side woman Kate Gentile is relatively new on the scene but it’s already clear that whatever style of music she takes on, it’s always in the vanguard of that style. More than that, she invents styles of her own. So to say that her latest release b i o m e i.i (from Gentile’s and Matt Mitchell’s Obliquity Records) is ambitious only describes the norm for her. What makes b i o m e i.i particularly special is how it reveals how far Gentile’s artistic reach goes. It’s really, really far.

“Largely stepping away from a diverse world of cutting-edge jazz and into the esoteric world of creative chamber music, Gentile brings over to this idiom her craft of integrating improvisation into meticulous scores and blurring the distinction between either.

“As they follow Gentile in the billing, it might be easy to assume that International Contemporary Ensemble is Gentile’s backing band but no, it’s a true partnership. The International Contemporary Ensemble has spent some twenty years working with composers emerging and established to provide a conduit for their challenging and provocative works. They commissioned Gentile to provide a set of pieces, with Gentile also becoming part of the band as its drummer and a second percussionist.” — S. Victor Aaron

Listen to the album
Read the Review
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