• Mission
    • Artists
    • Staff & Board
    • Careers
    • ALBUMS
    • Video
    • Press
    • Call For ____ 2026
    • Ensemble Evolution 2024
    • PROGRAMS
    • TUES@7
    • New Music Virtual Town Hall Meetings
    • Afro-Diasporic Opera Forum
    • Calendar View
    • Upcoming Events
    • Past Events
  • Donate
  • Contact
Menu

International Contemporary Ensemble

  • About
    • Mission
    • Artists
    • Staff & Board
    • Careers
  • Watch & Listen
    • ALBUMS
    • Video
    • Press
  • Initiatives
    • Call For ____ 2026
    • Ensemble Evolution 2024
    • PROGRAMS
    • TUES@7
    • New Music Virtual Town Hall Meetings
    • Afro-Diasporic Opera Forum
  • Events
    • Calendar View
    • Upcoming Events
    • Past Events
  • Donate
  • Contact

International contemporary
News & updates


archive

Featured
March 12, 2025
An Update from ICE
March 12, 2025
March 12, 2025
November 19, 2024
On the Power of Cultural Exchanges
November 19, 2024
November 19, 2024
October 22, 2024
Announcing the new members of the International Contemporary Ensemble!
October 22, 2024
October 22, 2024
August 19, 2024
Announcing our 2024-25 Season!
August 19, 2024
August 19, 2024
August 5, 2024
Announcing our Call For ____ Composers!
August 5, 2024
August 5, 2024
February 13, 2024
The New York Times: International Contemporary Ensemble at Carnegie Hall
February 13, 2024
February 13, 2024
February 5, 2024
Shout out in The New Yorker!
February 5, 2024
February 5, 2024
January 16, 2024
WQXR Feature!
January 16, 2024
January 16, 2024
January 12, 2024
Congratulations to George Lewis on this feature!
January 12, 2024
January 12, 2024
December 4, 2023
Afterword in the New York Times!
December 4, 2023
December 4, 2023

Congratulations to George Lewis on this feature!

January 12, 2024

The New yorker: The sonic revoolutions of george lewis

“George Lewis is one of the most formidable figures in modern music: a composer of interational renown, a legendary improvising trombonist, a computer-music pioneer, a professor at Columbia, a stalwart of the Black avant-garde collective known as the Assosiaction for the Advancement of Creative Musicians.” — Alex Ross (The New Yorker)

Read the article
← WQXR Feature!Afterword in the New York Times! →
Back to Top