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International contemporary
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archive

Featured
March 12, 2025
An Update from ICE
March 12, 2025
March 12, 2025
November 19, 2024
On the Power of Cultural Exchanges
November 19, 2024
November 19, 2024
October 22, 2024
Announcing the new members of the International Contemporary Ensemble!
October 22, 2024
October 22, 2024
August 19, 2024
Announcing our 2024-25 Season!
August 19, 2024
August 19, 2024
August 5, 2024
Announcing our Call For ____ Composers!
August 5, 2024
August 5, 2024
February 13, 2024
The New York Times: International Contemporary Ensemble at Carnegie Hall
February 13, 2024
February 13, 2024
February 5, 2024
Shout out in The New Yorker!
February 5, 2024
February 5, 2024
January 16, 2024
WQXR Feature!
January 16, 2024
January 16, 2024
January 12, 2024
Congratulations to George Lewis on this feature!
January 12, 2024
January 12, 2024
December 4, 2023
Afterword in the New York Times!
December 4, 2023
December 4, 2023

Photo by Digitice Media Team

NYT Review: A Contemporary Music Group’s Next Era Begins

March 20, 2023

By Seth Colter Walls

“George E. Lewis’ tenure with the International Contemporary Ensemble began with a tribute to the multitalented artist Douglas R. Ewart.

“Some artists earn the ‘multi-hyphenate’ label by doing two or three things. But Douglas R. Ewart works on a whole other level.

That much was clear when this composer, visual artist, poet, multi-instrumentalist and instrument-maker put on a true multimedia event at the Chelsea Factory on Friday night. He gave a thrilling tour of his varied creativity in the company of a violist, cellist, bassoonist and two percussionists from the International Contemporary Ensemble — whose new leader, George E. Lewis, organized the concert, making his curatorial debut with the group.

In the lobby were three of Ewart’s sculptures (including one dedicated to the jazz musician Eric Dolphy), and inside the hall hung five of his paintings (including one titled ‘Rasta in Sun Ra’). Underneath those canvases, the concert featured some shimmering, percussive work from Ewart, 76, himself — on a tall wooden staff outfitted with a sequence of Bundt cake pans, which he called ‘The George Floyd Bunt Staff.’”

Read the full review here
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