MATA returns to its Radical Pairings initiative, presented in partnership with International Contemporary Ensemble's TUES@7 series.
About this Event
Radical Pairings 1 brings together Maurizio Azzan’s exploratory Geometrie nelle mani for solo guitar with Yvette Janine Jackson’s meditative yet resolute Deliberate (Afraid of Nothing) for percussion and electronics. The program will also feature newly-written solo works by each composer. Featuring percussionist Colleen Bernstein and guitarist Jordan Dodson, this program showcases both sonic curiosity and emotional resilience.
RSVP above to receive YouTube link.
Program
Maurizio Azzan: Geometrie nelle mani (2016)
Maurizio Azzan: Instabile. Propagandosi (2021) World Premiere
Yvette Janine Jackson: Deliberate (Afraid of Nothing) (2019)
Yvette Janine Jackson: [new piece TBA] (2021) World Premiere
About MATA's Radical Pairings Initiative
Started in 2015, Radical Pairings juxtaposed stylistically two distinct composers and ensembles in the same concert setting, for a concert experience that transcended genre expectations. Keeping with this spirit, Radical Pairings 2021 will not only bring together two stylistically diverse composers, but will also pair older works with newly-commission miniatures, intended as companion pieces. Presented with the International Contemporary Ensemble as part of their virtual TUES@7 series, these two concerts will feature the music of 2020 MATA Festival composers Maurizio Azzan, Yvette Janine Jackson, Evan Williams, and Bethany Younge.
About MATA
Music at the Anthology’s (MATA) mission is to present, support, and commission the music of early career composers. Founded by Philip Glass, Eleonor Sandresky, and Lisa Bielawa in 1996 to address the lack of presentation opportunities for unaffiliated composers, MATA has grown into the world’s most sought-after performance opportunity for early career composers: each year, MATA receives the music of over one thousand composers from all over the world through its annual Call for Submissions.
MATA’s festivals and events are critically acclaimed and broadly respected: The New Yorker has hailed MATA as “the most exciting showcase for outstanding young composers from around the world.” The New York Times has called it “a valuable platform;” The Wall Street Journal said that it “tells us a lot about how composers are thinking now.” For the majority of the composers presented, a performance on the MATA Festival is an early harbinger of success; it is often one of their first major commissions as well as their first significant exposure to New York and national audiences. MATA Alumni have gone on to receive Grammy awards, MacArthur Genius grants, Siemens and Takemitsu, Pulitzer, Alpert, and Rome prizes, Guggenheim Fellowships, Barlow and Koussevitsky commissions and every major award in contemporary music. In 2010 MATA was awarded ASCAP’s prestigious Aaron Copland award. In recognizing, presenting and supporting unique voices, MATA is a catalyst for their entry into American musical life. www.matafestival.org