International Contemporary Ensemble (ICE) returns to Oberlin Conservatory for a week-long residency, Composing While Black, Volume I. Hosted by the Oberlin Conservatory of Music and curated by ICE’s Artistic Director, George Lewis, Composing While Black is conceived as a pair of residencies spanning two years. This first installment will include rehearsals, workshops, and panel discussions for Oberlin students. The residency will culminate in a concert in which members of ICE will perform alongside Oberlin students in a program featuring works by Oberlin alumna Courtney Bryan and others. Oberlin Conservatory has played a key role in the creation of International Contemporary Ensemble, with founding members of the Ensemble meeting as students. This collaboration celebrates Oberlin & ICE’s shared history as well as the rich musical connections fostered at Oberlin.
This performance is made possible through lead support from the Arlene & Larry Dunn Fund for Afrodiasporic Music.
PROGRAM
Courtney Bryan: Blooming
Leila Adu-Gilmore: Alyssum
Allison Loggins-Hull: The Pattern
Olly Wilson: Echoes
Wendell Logan: Duo Exchanges
Yaz Lancaster: Intangible Landscapes
Nicole Mitchell: Building Stuff
PERFORMERS
Elise Blatchford, flute
Joshua Rubin, clarinet
David Byrd-Marrow, horn
Nuiko Wadden, harp
Erika Dohi, piano
Ross Karre, percussion
Levy Lorenzo, percussion
Modney, violin
Michael Nicolas, cello
INTERNATIONAL CONTEMPORARY ENSEMBLE
Now in its third decade, the International Contemporary Ensemble (ICE) is a multidisciplinary collective of musicians, digital media artists, producers, and educators committed to building and innovating collaborative environments in order to inspire audiences to reimagine how they experience contemporary music and sound. The Ensemble creates a mosaic musical ecosystem as “America’s foremost new-music group” (The New Yorker), honoring the diversity of human experience and expression by commissioning, developing, recording, and performing the works of living artists. Co-founded in 2001 by flutist and MacArthur “genius” Fellow Claire Chase, the Ensemble has premiered over 1,000 works. The Ensemble has given performances at Warsaw Autumn, TIME:SPANS, Berliner Festspiele, HEAR NOW Los Angeles, Darmstadt International Summer Courses for New Music, Ojai Music Festival, and Big Ears Festival as well as in venues such as the Dutch National Opera, Cité de la Musique (Paris), Metropolitan Museum of Art, Carnegie Hall, Japan Society, Merkin Hall at the Kaufman Music Center, Fridman Gallery, Chelsea Factory, NYU Skirball and Walt Disney Concert Hall.
CREDITS
The International Contemporary Ensemble’s performances and commissioning activities during the 2024-25 concert season are made possible by the generous support of our board of directors, many individuals, as well as the Mellon Foundation, Howard Gilman Foundation, Jerome Foundation, Fan Fox and Leslie R. Samuels Foundation, Robert D. Bielecki Foundation, Aaron Copland Fund for Music Inc., Mid Atlantic Arts Foundation, The Arlene and Larry Dunn Fund for Afrodiasporic Music, Fromm Music Foundation, Francis Goelet Charitable Lead Trusts, Amphion Foundation, Cheswatyr Foundation, The Gladys Krieble Delmas Foundation, Siemens Musikstiftung, New Music USA, Alice M. Ditson Fund of Columbia University, BMI Foundation, as well as public funds from the National Endowment for the Arts, New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council for the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the Illinois Arts Council Agency, and the Shuttered Venue Operators Grant (SVOG) from the U.S. Small Business Administration. Yamaha Artist Services New York is the exclusive piano provider for the International Contemporary Ensemble.