Press Description
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Composer David Lang uses a whisper to create beauty
Chicago Tribune
May 31, 2013
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John Adams roots himself in tradition, but on his own terms
The Washington Post
May 30, 2013
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Colors Swirl In A Real Rite Of Spring
NPR
May 28, 2013
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Composer John Adams leads an evening of music for the mind, if not the heart
The Washington Post
May 26, 2013
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Ritual Reaches: Playing the Backside of a Violin, Using a Guitar Like a Cello
The New York Times
May 17, 2013
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Crain’s New York Business 40 Under 40 2013: Claire Chase
Crain's New York Business
March 26, 2013
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Virtuosity without borders
The Chicago Reader
February 14, 2013
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Reveling in a Russian Composer’s Breadth and Depth
The New York Times
February 11, 2013
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Sculpting the new repertory: ICELab at the MCA
Gapers Block
February 11, 2013
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Playing With Passion for a Patron
The New York Times
February 5, 2013
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Carla Kihlstedt played Ecstatic Music Fest’s first weekend
Brooklyn Vegan
January 26, 2013
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George Lewis meets Franz Schubert, and ears open wide
Chicago Tribune
January 8, 2013
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‘Arts entrepreneur’ Claire Chase blazing a new trail
U-T San Diego
January 4, 2013
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Best Opera & Classical albums of 2012
Time Out Chicago
December 20, 2012
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2012 in review: A rebel scene arises in classical music world
LA Times
December 14, 2012
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Phillips Collection concert showcases Matthias Pintscher
Washington Post
December 14, 2012
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Olga Neuwirth at Miller Theatre
The New York Times
December 9, 2012
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Miller Theatre “Composer Portrait”: Olga Neuwirth
The New Yorker
November 30, 2012
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Marking its tenth anniversary, ICE looks to expand its new-music cool
The Classical Review
November 30, 2012
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Composers and Performers Unite in a Young Music ‘Lab’
Wall Street Journal
November 18, 2012
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Anthony Roth Costanzo & International Contemporary Ensemble
Opera News
November 15, 2012
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Previously Unreleased Footage of Boulez–Cage Tennis Match Discovered
The Brooklyn Rail
November 6, 2012
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Claire Chase Wins MacArthur Award
Chicago Tribune
October 1, 2012
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Letters Inspire an Intertwining of Boulez and Cage
New York Times
September 21, 2012
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Finding Their Way to Concert Halls: Blackbirds, Sea Gulls and Chickens
New York Times
August 13, 2012
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Messiaen’s Blackbirds Dance at Mostly Mozart
Berkshire Fine Arts
August 12, 2012
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Beyond Cozy Fare: Calling Birds and Conga Lines
New York Times
August 6, 2012
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ICE performs Adams at Weill Hall christening in Sonoma
San Francisco Chronicle
June 7, 2012
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ICE closes with mixed musical postcards from Paris
Chicago Classical Review
May 29, 2012
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ICE delivers startling new music from Europe
Chicago Tribune
May 29, 2012
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A Composer Who Turned Runway Lights Into Music
New York Times
May 27, 2012
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Tonight: a rare Chicago performance of Georges Aperghis’s Recitations
Chicago Reader
May 25, 2012
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ICE / Aperghis at Miller Theater 8 PM this evening (Thursday 24 May)
Synplexity: Synthesis and Complexity
May 24, 2012
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Critics Choice: ICE performs Saturday Night at the Museum of Contemporary Art
Chicago Classical Review
May 22, 2012
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The Modern Mind of Mozart
Playbill
May 21, 2012
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ICE plays Aperghis at the MCA - Final Concert in 2011/12 Series
Chicago Reader
May 20, 2012
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Summer Festivals for Classical Music and Opera
New York Times
May 17, 2012
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ICE to Perform Music by Georges Aperghis and the New Generation at MCA
Greek USA Reporter
May 14, 2012
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Michel van der Aa, International Contemporary Ensemble offer emotion and drama
The Washington Post
May 11, 2012
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ICE in Reston, Virginia
Modern Luxury DC
May 6, 2012
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Celebrating a composer’s color, timbre, and texture
The Boston Globe
May 5, 2012
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Back to a Favored Finnish Composer
New York Times
May 3, 2012
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“Changing Light” at Roulette - NYTimes Critics’ Choice!
New York Times
April 27, 2012
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ICE in the house and ice in the punch
Chicago Reader
April 6, 2012
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International Contemporary Ensemble announces 2013 ICElab participants
Chicago Reader
March 20, 2012
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John Adams and the International Contemporary Ensemble ft. Jeffrey Kahane
Press Democrat
March 19, 2012
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Q&A with Claire Chase: the silos are down
Chicago Reader
March 15, 2012
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Sonoma State announces first Green Music Center season lineup
Petaluma360
March 9, 2012
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The heavy ambient sound of Mario Diaz de Leon
Chicago Reader
March 1, 2012
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ICE shatters boundaries with major works by George Lewis and others
Chicago Tribune
February 6, 2012
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Weekender with Alison Cuddy
WBEZ
February 3, 2012
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Spring arts preview: Classical highlights
The Washington Post
January 31, 2012
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Super Bowl of jazz? George Lewis and friends head to the MCA
Chicago Tribune
January 31, 2012
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Why Breathing Matters (Even More Than You’d Think)
Wall Street Journal
January 28, 2012
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Claire Chase premieres a Marcos Balter work inspired by Cy Twombly
Chicago Reader
January 26, 2012
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ICE presents “George Lewis and Friends” | Concert preview
Time Out Chicago
January 25, 2012
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To Twombly (Timeless)
Gapers Block
January 25, 2012
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The Dutch Connection!
The Brookyn Paper
January 18, 2012
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Music Hub Gig Alert: Claire Chase
WNYC
January 17, 2012
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ICE talks nonjazz improvisation
Chicago Reader
December 1, 2011
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Composer Portrait at Miller Theatre
The New York City Jazz Record
November 29, 2011
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At Miller Theatre, ICE Shows Its Improvisation Chops In Music Of George Lewis
Seen and Heard International
November 24, 2011
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Sharing Hoop Dreams of a Compositional Strategist
New York Times
November 13, 2011
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ICE: Sesiones de Jam en “The Kitchen”
Letras Libres
November 9, 2011
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Live Review: ICE at The Kitchen, SONiC Festival
Consequence of Sound
October 21, 2011
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Stepping out with MATA
Monotonous Forest
October 20, 2011
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I Am Thankful For My Ears
The Reykjavik Grapevine Airwaves
October 14, 2011
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ICE ascended to the pinnacle of brilliance
Chicago Tribune
October 6, 2011
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ICE opens with bracing blast from the modernist past
Chicago Classical Review
October 6, 2011
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Eckardt’s “Undersong” (CD Review)
Sequenza 21
September 24, 2011
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River Elegy That Covers a Wide Sonic Terrain
The New York Times
September 18, 2011
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James Dillon’s decades-in-the-making work is an ambitious symphonic cycle
NJ Star-Ledger
September 9, 2011
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A Wineglass Fills In for a Period Instrument
The New York Times
August 12, 2011
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A Group Determinedly Finding a Spot Right in the Middle of Things
New York TImes
August 11, 2011
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Mostly Mozart: International Contemporary Ensemble offers a powerful performance
www.nj.com
August 11, 2011
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Adams, a Romantic pianist, Munch, and a master mezzo
The Boston Globe
August 7, 2011
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NATHAN DAVIS: “The Bright and Hollow Sky”
Audiophile Audition
July 27, 2011
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Sierra: Cicada Shell; Birds and Insects Book 1; Surrounded Ground, etc – review
The Guardian
July 15, 2011
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Sounds Heard: Music of Arlene Sierra, Volume 1
New Music Box
July 15, 2011
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John Adams at the Pinnacle
The Indianapolis Star-Upstage Arts Blog
July 5, 2011
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Arlene Sierra: New Music With A Buzz
NPR-Deceptive Cadence
June 23, 2011
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Following Claire Chase: A Week In The Life Of A Working Musician
NPR-The Record
June 23, 2011
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Du Yun: Shark in You
Audiophile Audition
June 23, 2011
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ICE provides primo advocacy to an array of fascinating new music
The Classical Review
June 6, 2011
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ICE is hot in season finale of MCA Stage series
Chicago Tribune
June 5, 2011
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ICE on CD
Chicago Reader: Post No Bills
June 3, 2011
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The ascent of the International Contemporary Ensemble
Chicago Reader
June 2, 2011
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The ICElab Cometh
Deceptively Simple
June 1, 2011
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Previewing Mostly Mozart Festival 2011
Playbill
May 3, 2011
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The Economy on ICE
WQXR's Q2
April 29, 2011
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Cancelled Southern show to be webcast from Brooklyn
Minnesota Public Radio
April 25, 2011
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Stravinsky Invades Mozart’s turf
New York Times ArtsBeat
April 13, 2011
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TullyScope Opening Night
The Berkshire Review
February 25, 2011
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I’m Playing With the Orchestra. Leave a Message After the Beep.
The New York Times
February 23, 2011
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ICE’s edgy Art Institute concert reflects its canvas inspiration
Chicago Classical Review
January 29, 2011
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New-Music Group Gets Grant From Mellon Foundation
The New York Times ArtsBeat
January 7, 2011
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Striking a Chord With Music Fans
The Wall Street Journal
December 31, 2010
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A Sound Is Molded to Become an Eclipse
The New York Times
October 24, 2010
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ICE, ICE, Baby
Culture Rover
September 17, 2010
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ICE opens season in audacious style
Chicago Classical Review
September 13, 2010
